The Towada Art Center aims to provide new experiences through art as an institution committed to inspiring future creativity.
The Towada Art Center is committed to:
Towada City began the Arts Towada Project in 2008 to reinvigorate the local cityscape, whose main Kanchogai Avenue (lit. “street of government offices”) had become noticeably desolate due to population decline, government downsizing, and recent move-outs. In an effort to revive the street, Arts Towada introduces a variety of artworks into the environment as well as promotes programs and exchanges between artists, citizens, and visitors to the city.
The Towada Art Center is proud to announce that Arts Towada has recently been awarded the inaugural grand-prix prize from The Institute of Environmental Art and Design.
The Art Square is an outdoor space along Kanchogai Avenue that has been transformed into an open-air museum. A variety of artworks adorn the entirety of the avenue. The boldness of such a project is rare even when considered on a global scale. Towada strives to be a city of the arts, one that inspires creativity in visitors and residents alike. The city’s strong art scene, rich history, and natural beauty all work to intensify the local vitality of the area.
The Towada Art Center is the central facility for the Arts Towada Project, which was created to reinvigorate the local cityscape by introducing a variety of artworks into the environment as well as promoting projects and exchange with artists, citizens, and visitors to the city. The Towada Art Center houses a permanent collection of 41 commissioned artworks, all made exclusively for the Towada Art Center by 36 world-renowned artists from Japan and abroad, including Yoko Ono, Yayoi Kusama, Choi Jeong Hwa, and Ron Mueck.
Our facilities include permanent and temporary exhibition spaces, a collaborative space, and cafe, as well as other spaces for incorporating the community into art activities and exchange. In addition to art exhibitions, the Towada Art Center works within the community to support a variety of cultural programs.
The Towada Art Center is committed to sustainability at every level of its operations.
In March 2022, city officials reviewed “Phase 2 of the City of Towada Second Comprehensive Plan,” which specifies and emphasizes the need for initiatives based on the Sustainable Development Goals (SDGs).
Sustainability initiatives are already underway in museums around the world. The International Council of Museums (ICOM) reconsidered and redefined the museum at its August 2022 Extraordinary General Assembly, adding that museums are institutions that foster sustainability. In addition, the International Committee for Museums and Collections of Modern Art (CIMAM)—an affiliated organization of ICOM and a global network of modern and contemporary art museum experts)—has established a working group on sustainability and ecology. It has published a toolkit to help contemporary art museum professionals start implementing the necessary changes to become carbon neutral.
The Towada Art Center also serves as a tourist hub, with 70% of our visitors coming from outside Aomori Prefecture. Initiatives for sustainable travel and tourism are gaining momentum, and the Global Sustainable Tourism Council (GSTC) is setting global standards for the field. Towada City is home to Lake Towada and the surrounding Towada-Hachimantai National Park, Oirase Gorge, and the pristine wilderness of the Hakkoda Mountains. We will work together with other tourist centers and TOWADA TRAVEL, the city’s destination management/marketing organization (DMO), to promote sustainable tourism and initiatives that meet the GSTC standards as we aim to become a certified sustainable destination.
The 17 Sustainable Development Goals and the four pillars encompassing the GSTC criteria cast a wide net, including cultural heritage preservation, education, and museum-supported community development.
Of particular relevance are the following:
The Towada Art Center contributes to these goals in our capacity to maintain and manage a permanent collection and support the Arts Towada Project. In addition, we will continue to promote environmental initiatives, particularly those espoused in the CIMAM toolkit.
These efforts specifically address:
To give a specific example, starting in 2021, we have started gradually converting to LED lighting to improve the energy efficiency of our facilities. Operationally, the center has focused on its permanent collection, a practice that consumes less energy than museums with a focus on temporary exhibitions. From 2020 onward, we have reduced the number of temporary exhibitions to two annually and lengthened their exhibition durations in order to reduce energy consumption related to transport and installation.
Going forward, we will monitor our progress to gain insights that can inform future planning and ensure our commitment to sustainability.
(November 2022)
Provider
Towada City
Designated Administrator
Nanjo and Associates Group
Staff
Director: WASHIDA Meruro
Deputy Director: TOYOKAWA Hiroki
Curator: NAKAGAWA Chieko
Curator: TOYAMA Aruma
Assistant Curator: KASAI Aika
Educator: AOYAMA Maki
Public Relations: OTANI Sae
Concierge: TSUCHII Takaaki
General Advisor
NANJO Fumio
Advisory Committee
AIDA Daiya
FUJI Hiroshi
OGAWA Nobuko
SHIKATA Yukiko
TAPS : Towada Art Center Partners Advisor
KOIKE Kazuko
Some of the most striking features of the Towada Art Center are the independent exhibition rooms that act as “houses for art,” interspersed throughout the facility and connected to each other by glass corridors. Dividing the spaces has allowed for better customization of the space to each artwork, creating a sense of intimacy and harmony within each room. The idea of interspersion came from the design of Towada’s main arterial–Kanchogaidori Avenue–where buildings and open spaces intertwine. The city itself organically mingles with art.
The building is filled with juxtaposition of large and small, creating a sense of continuity with the dynamism of the street outside, which is also lined with buildings large and small. This unique design also allows for the placement of outdoor exhibition spaces and event spaces, making it possible for visitors to simultaneously experience indoor and outdoor art.
Many of the exhibition spaces have wide glass openings that face in different directions, creating a sense that the artworks are exhibited for the city outside as well.
Architect
Ryue Nishizawa
Ryue Nishizawa (b. 1966, Tokyo, Japan) studied architecture at Yokohama National University. In 1995, he opened SANAA with Kazuyo Sejima, and in 1997 he founded Office of Ryue Nishizawa. He is currently a professor at Yokohama Graduate School of Architecture (Y-GSA).
Sejima and Nishizawa were jointly awarded the Golden Lion at the 9th Venice Architecture Biennale in 2004. They both were awarded the Pritzker Architecture Prize in 2010, Officier de l’Ordre des Arts et des Lettres, France in 2011, The Kunstpreis Berlin, Germany in 2007 and Praemium Imperiale in Honour of Prince Takamatsu in 2022.
Nishizawa was awarded The Prize of Architectural Institute of Japan for in 2012, 25th Murano Togo Prize, Japan in 2012, and The 5th Yoshizaka Takamasa Award in 2019.
Major works include 21st Century Museum of Contemporary Art, Kanazawa (Japan)*, Rolex Learning Center, EPFL (Switzerland)*, Louvre-Lens (France)*, La Samaritaine (France)*, Bocconi University New Urban Campus (Italy)*, Sydney Modern Project (Australia)*, Towada Art Museum (Japan), Teshima Art Museum (Japan), Hiroshi Senju Museum Karuizawa, and Jining Art Museum (China).
*SANAA projects
Comment
This building, as an integral part of the concept of transforming the entire Kanchogaidori Avenue into an art museum, inevitably needs to be open and approachable. The activities happening within the building must continue seamlessly onto the street outside. To achieve that, we have divided the exhibition rooms into separate entities; their random interspersion throughout the facility allows for the intertwining of the indoor exhibition rooms and the outdoor art space.