当前展览
Sat, Dec 7, 2024 - Sun, Mar 23, 2025
Hailing from Kansai and based in Berlin, Taninaka Yuske’s interdisciplinary sculpture, dance, and performance practice treats the human body not as something independent but as an entity influenced by its surroundings, exploring the emergent body’s relationships with the environment and other people.
For his first solo exhibition at an art museum, Taninaka presents new installations, sculptures, video installations, and performances, reflecting on the inherent fragility of the body in terms of aging, illness, injury, and disability as well as our desires and fleeting hopes encompassed within the always-evolving medical technology that aspires to conquer that fragility, and, conversely, a mode of living that embraces it, that acknowledges that things do not always go as we want.
The exhibition title connotes an inquiry into our ability to live in a way that engages with the loss of our bodily functions over time due to the unavoidable: injury, illness, aging, and death. When complete treatment or recovery is elusive, we must compromise with the constantly changing reality of our lives. Whether in good or bad health, we are all prisoners of our uncertain and unstable bodies, a condition that this exhibition re-examines.
Taninaka Yuske
Born in Osaka Prefecture in 1988, in 2012, he graduated with a degree in sculpture from the Faculty of Fine Arts at the Kyoto City University of Arts. He received a Ph.D. in sculpture from the university’s Graduate School of Arts in 2014. Taninaka Yuske is based in Berlin. With a focus on sculpture and dance, his interdisciplinary practice straddles both exhibitions and performances. Major recent performances include Deception of Air (Kyoto Art Center, 2023) and Gallop (Uferstudios, Berlin, 2022; CoFestival 2022, Ljubljana). Major group exhibitions include DOMANI: The Art of Tomorrow Exhibition 2022–23 (National Art Center, Tokyo, 2022) and Celebration: Japanese-Polish Contemporary Art Exhibition (Kyoto Art Center; Dom Książki, Poznań, Poland, 2019, etc.).
标题
日期
地点
Towada Art Center
Hours
9:00–17:00 (last admission 16:30)
Closed
Mondays (except for holidays, in which case closed the following day)
December 23, 2024–January 1, 2025 / January 20–24, 2025
*Open on: January 13 / February 24
Admission
1,800 yen
200 yen discount for groups of 20 or more
Under 18: free
Organized by
Towada Art Center
Sponsored by
MELCO Group Inc.
Supported by
Nomura Foundation
In Cooperation with
Ichisawa Concrete Industry Co.,Ltd., Nakanoshima Museum of Art, Osaka
Endorsed by
Asahi Broadcasting Aomori Co., Ltd., Aomori Broadcasting Corporation, Aomori Television Broadcasting Co., Ltd., Aomori Fm Broadcasting, The Daily-Tohoku Shimbun Inc., The To-o Nippo Press, and Towada City Board of Education
Curator
Toyama Aruma
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