Permanent Collection
TSUBAKI Noboru
With its gangly legs firmly gripping the ground, razor jaws and large, slanted composite eyes, this fiery red creature reminiscent of a giant insectoid robot seems to challenge us aggressively. Modeled in fact on “farming” leafcutter ants (Atta cephalotes) found in the neutral Central American nation of Costa Rica, Tsubaki’s creation also seems to be warning humanity that no good can come of its persistent plundering of the planet’s resources, and relentless consumption.
Photo: Oyamada Kuniya
TSUBAKI Noboru
Born 1953 in Kyoto, Japan. Tsubaki received his MFA from Kyoto City University of Arts. He participated in “Against Nature: Japanese Art in the Eighties” (San Francisco Museum of Modern Art, et al., 1989-91) with his large-scale sculpture Fresh gasoline, in Aperto’93 at the 45th Venice Biennale (Italy, 1993), and Yokohama Triennale 2001 (Kanagawa, Japan) with his nitrogen sculpture Insect World: Batta Among his solo exhibitions are “Noboru Tsubaki” (Museum of Contemporary Art San Diego, US, 1992), “UN Boy” (Art Tower Mito, Ibaraki, Japan, 2003), “Gold Black White” (The National Museum of Modern Art, Kyoto, 2009), and “Prehistoric PH” (Kirishima Open-Air Museum, Kagoshima, Japan, 2012). Tsubaki acted as artistic director of the Sakate Port and Hishio no Sato Project for Setouchi Triennale 2013 (Kagawa, Japan), Aomori Triennale 2017, and Artists’ Fair Kyoto (2018).
2008
Steel, FRP
601×624×395 cm
Cooperation|KINOSHITA Tesuya
(Sculptor)